The most commonly used word to describe Georg Friedrich Handel’s 1752 oratorio Jephtha is “dark”. And the word has nothing to do with the fact that the composer was going blind as he was composing. Jephtha, Handel’s last oratorio, is his most troubling masterpiece. The work contemplates the often inscrutable role of the divine in […]
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Handel’s JEPHTHA: Being Right in One’s Own Eyes: The Music of the Baroque’s Electrifying Performance
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